All this means is you can desqueeze the image internally instead of having to use an external monitor. It’s the camera that excites me the most. It looks like Sony have not only fixed their weird color science, but when it comes to color gamut, the ACS have found it to produce the best result of any digital cinema camera that has been tested to date. The data rates are on par with Prores HQ, and the codec edits great, similar to XAVC-I. Add falling wood and more to your video with this comprehensive library of 80 impressive elements. Sony has unveiled the FX9, a new XDCAM camera that features a 6K full-frame sensor, a hybrid autofocus system and, most interestingly, an E-mount for attaching lenses.. Canon vs Sony Autofocus Showdown (FX9 vs C500 Mark II) April 20, 2020 in Cameras Gear Reviews & Comparisons / Nerdy Explanations / Tests & Experiments Testing and comparing the autofocus systems on the Sony FX9 and the Canon C500 Mark II for usability, reliability, and their limitations. The somewhat comparable Sony FX9 is $11,000. Both the FX9 and C500 MKII came out at the end of 2019, making them the ultimate competitors in â¦ The the only camera manufacturer that has AF competing anywhere near the level of Canon is Sony. Unlike the FS7, the Sony FX9 shoots full frame, and in *6k. I also don’t understand why 4K DCI is a special firmware update. That’s a difference of $200 or so. I think Full Frame cinema cameras at these price points are very welcome in the industy. Though, it would be fun to play around with the c500ii, shooting raw and make my own videos, but thats not what pays the bills. 15. Firmware Updates & Frame Rates The test will help show off the differences between the cameras as well as determine whether or not all those extra pixels are worth the hassle. And what you get are: Both of these features are good to have, but don’t really contribute to food on the table. Weâve already shared the basic specs and details of Canonâs new EOS C500 Mark II cinema camera, but our friends over at Cinema5D have gotten their hands on a unit and shared a ten-minute overview of the new full-frame cinema system.. FCPX Essentials, Part 2: How to Edit Your Footage, FCPX Essentials: How to Import and Organize Your Footage, How to Give Your Footage a Cinematic Look in FCPX. Im excited for the c500ii, but i dont know if i can justify the price and im not sure if i need internal raw. And even though the FX9 is less expensive, I think they’re both great values for the money. Canon RAW is read by every important NLE directly. We'll assume you're ok with this, but you can opt-out if you wish. This is more rugged than the standard E mount on Sony alpha mirrorless cameras. Canon C500 Mark II vs. Sony FX9 - Panel Discussion - Philip Bloom, Hans von Sonntag, Nino Leitner - Duration: 26:45. cinema5D 18,359 views Interframe bit rates are too low. Canon vs Sony Autofocus Showdown (FX9 vs C500 Mark II) Testing and comparing the autofocus systems on the Sony FX9 and the Canon C500 Mark II for usability, reliability, and their limitations. This was a major reason why so many productions adopted an FS7 workflow. Not many clients pay extra for 6K or RAW workflows. The Sony FX9 and Canon C500 Mark II full frame cinema cameras. This could give the FX9 a major competitive edge over the C500 MKII. It is important to draw attention to Canon’s non-operator side. The FX9 can do DCI 4K at up to 60 fps in Super 35mm mode, but in a future firmware update. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. Both the FX9 and C500 Mark II offer advanced image stabilization capabilities. The files output were also the easiest in post (post ready, no conversion). Additionally, video output from the â¦ From Sony: I’m not sure who would take the time out to work with Catalyst Prepare just to stabilize shots. You can’t wait around hoping for the firmware to drop, or you might as well just wait for all of the firmware to be updated prior to buying the FX9. Here are the official numbers: *See below for which battery. 21. In the C500 Mark II the audio functions are on the right: This is an important distinction, because it makes clear that if the camera is on your shoulder, or if you are forced to pick a side due to space constraints (about half the time), then you won’t be able to ride the audio gain or headphone levels during a shot without using the customizable buttons. latest ; Oldest; Most Voted; Bob. The Sony FX9 is also a full-frame sensor camera with a 6K oversample for a final 4K output. The Canon C500 Mark II has Dual Pixel AF with support for Touch AF and Face Detection AF. Comparison Canon EOS C500 Mark II vs Sony PXW-FX9. I’m also looking forward to you actually testing both, especially for low-light work and image stabilisation. How to Import and Work with Blackmagic RAW files in DaVinci Resolve and RAW Player. The EOS C500 Mark II arrives with a full-frame sensor designed and built by Canon, which appears to be the same one found inside the EOS C700 FF, and this is capable of recording 5.9K video. It’s ergonomically very limited, but it’s also cheap. For true anamorphic, the sensor needs to span at least 21.95mm x 18.6mm. ibc footage full frame hands-on IBC 2019 FX9 Sony FX9. Amazingly, this is not mentioned in the Canon specs. I wish they'd priced the C500 II a bit cheaper. Those who are purchasing the Sony FX9 and Canon C500 Mark II are mainly into documentaries, corporate videos, commercials, high-end weddings and maybe the occasional short or feature work. The Sony FX9 is the first major video camera from Sony that brings that level of AF to video: Developed by Sony’s ? Canon RAW is actually Canon RAW Lite, written internally, at about 1/3 to 1/5th data rates. For a lot of professionals, in this price point, usability is as critical as image quality. What you need to understand is both form factors have been around for a long time, and both work. The two most exiting camera just announced â Canon EOS C500 Mark II and Sony PXW-FX9! The C500 Mark II is for multiple kinds of filmmaking and videography, and you have to pick and choose what kind of viewfinder you need. When we start jumping outside of sensors and resolution, we begin to see the biggest differences between these two cameras. You can make both cameras work, and it’s ultimately down to personal preference. (Best with Adobe Acrobat Reader, 2-page view, show cover page.) Personally, in case you are interested, I prefer Canon’s layout. The Canon EOS C500 Mark II mixes the best of high-end cinema cameras and mirrorless tech, in a modular body that can be stripped down for drones or gimbals or dressed up for movies with external monitors and the like, or fitted with accessory backs to â¦ The C500 MK II has the ability to record 5.9k raw internally, while the FX9 over samples a 6k image for a final 4k output, giving you a cleaner, crisper image, but still at a lower resolution than the MKII.. With a slightly larger sensor and higher resolution recording capability, weâre giving the point here to Canon.. Canon 1 Sony 1. Both can be used by a single shooter, but the FX9 is more friendly for all kinds of video work when you are a one-person operation. The C500 Mark II is capable of 60 fps at a full 4K resolution (unlike its predecessors), as is the FX9. …handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far), and by how much. Great your Canon C500 Mark II vs. Sony FX9 – Panel Discussion. With modern cameras and their great ISO range you can really manage with discrete levels of ND. With the introduction of the ARRI ALEXA LF Mini, the Sony Venice, the Sony FX9, and the Canon C500 II, the playing field is starting to level and that awe-inspiring, professional LF look is starting to get within reach. *60 fps is with a crop, in Super 35mm mode. I’m sure the image on the C500 II will be beautiful, but the FX9 is basically my dream camera. The Canon C500 Mark II will cost around €15,000 without the Extension Units and optional PL Mount, but while that might seem a lot, it’s actually the same price the C300 mark II cost when it first came out. Experience the best TheBeat has to offer. Canon and Sony have long been battling for the title of Best Mid-Tier Cinema Camera System. Canon’s new-ish full-frame sensor (also offered on the C700 FF) gives filmmakers a more detailed image, with an even shallower depth of field. Also, if you have multiple accessories it’s a good way to power them as well. You need to pay $2,199 extra for a locking EF mount (called EF-C) from Canon. E.g., some people like the top handle of the C500 Mark II, others hate it. +++. It goes without saying AF for video works best and most reliably only with native lenses. The asterisk there is that Sony claims 6K, but the sensor is actually a downgraded version of 6K that gives the user an upgraded 4K look that is more crisp than other 4K’s seen. The Canon EOS C500 Mark II uses the latest technology from the EOS R-series of Canon mirrorless cameras and puts it into a professional cinema camera that has a modular style to suit lots of different uses. The C500 Mark II is capable of 5.9K output in full-frame. The two most exiting camera just announced â Canon EOS C500 Mark II and Sony PXW-FX9! I believe it both camera give amazing flavor of video. So you can actually knock $1,000 off the price difference! To be honest, both settings get the job done. Using Canon supplied IDTs, images captured on the EOS C500 Mark II can be imported directly into the ACES compatible systems. Their 35.7 x 18.8 mm sensor is also equipped with fifteen stops of dynamic range. If you compare apples to apples (4K to 4K), the data rates of the Sony FX9 and Canon C500 Mark II are about equal. You could wire up a couple of interviewees, the interviewer and a backup and you’ll already be down four ports. The handle is also much more solid than on the Mark I, as Canon clearly realise that it will be used with film lenses which are … maybe, i dont know. With a newly developed 6K full-frame sensor (that is NOT the same as in the VENICE) and video-optimized autofocus with face and eye detection ported from the industry-leading Sony Alpha mirrorless lineup, the Sony FX9 is not just on-par with Canon’s DPAF in the C500 Mark II, but in some situations probably … It also has a hot shoe mount on top for additional audio modules if necessary: These give you an additional two channels of XLR audio and the kit comes with a shotgun microphone as well. It is to be noted that the C500 Mark II ships with the larger A60 battery while the FX9 ships with a smaller (and newer) U35 battery. However, both manufacturers have introduced new full-frame cameras, making this competition even more intense. Excellent recording mode, 4K capturing with oversampled 6K Full-frame Exmore R sensor. You can always buy cheaper batteries, but the same applies to both cameras. (unless you choose to!) The somewhat comparable Sony FX9 is $11,000. The Sony FX9 has a locking E mount. I wish they'd priced the C500 II a bit cheaper. The Sony FX9 with the Sigma 85mm Cine lens was incredibly detailed. The C500 MK II has the ability to record 5.9k raw internally, while the FX9 over samples a 6k image for a final 4k output, giving you a cleaner, crisper image, but still at a lower resolution than the MKII.. With a slightly larger sensor and higher resolution recording capability, we’re giving the point here to Canon.. Canon 1 Sony 1. That's in the realm of a used Arri Amira. But opting out of some of these cookies may have an effect on your browsing experience. The C500 Mark II can do that now. Announced at IBC 2019, the FX9 is the latest XDCAM camera from Sony, featuring a newly-developed 6K Full Frame sensor and Fast Hybrid Auto Focus (AF) system. The original Canon C300 was a spectacular success for Canon, and the FS7 was a spectacular success for Sony. Comparison Canon EOS C500 Mark II vs Sony PXW-FX9. Sandisk CFexpress 256 GB. Filmmakers Philip Bloom, Nino Leitner, and Hans von Sonntag discuss the new full-frame cinema cameras â the Canon C500 Mark II and the Sony FX9. *See below for which battery. To be able to go low-profile on the street with just the little EVF at the back and some Canon glass, or pop the little camera on a gimbal, with it’s blazing fast autofocus, or build up a shoulder rig with large V-Mount batteries at the back to balance the camera- it’s what we have been waiting for- a flexible tool for the owner-operator. With the Sony, you get the XDCA-FX9 Extension Unit: This puts both cameras on an even keel. Throughout the 11-minute video, Cinema5D takes a look at the overall unit, as well as the extension units, which make the camera â¦ As we have seen before, both cameras meet these specifications, but with the C500 Mark II having the upper hand because it outputs 6K, so even ‘chopped off’ anamorphic will deliver true 4K. The two most exiting camera just announced – Canon EOS C500 Mark II and Sony PXW-FX9! Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. Thatâs a difference of $200 or so. For these solid reasons: ^Depending on the frame rate. The Sony FX9 has SDI built in to the back… no extras needed. Interview with Alexander Marik, CEO of ETAS GmbH, one of the leading distributors of video and audio equipment for clients in all broadcast, … Here’s a summary of each round, and the “winner”: I know a lot of people will be comparing these two cameras.
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